Abe's Penny Micro-Magazine
Abe's Penny

Limited Edition Art Journal of new photography and literature featuring photography by Sanford Biggers and text by Anike Robinson.


Cercle d'art des travailleurs de plantation congolaise
Sternberg Press

Cercle d'art des travailleurs de plantation congolaise (FR/ENG), edited by Eva Barois De Caevel and Els Roelandt, offers a first report on the activities of the CATPC in Lusanga. A unique gathering of individuals, an atelier, and an experimental test garden, the CATPC is an exceptional contemporary practice for rethinking postcolonial power relations within the global art world.


David Joselit: After Art
Princeton University Press

Art as we know it is dramatically changing, but popular and critical responses lag behind. In this trenchant illustrated essay, David Joselit describes how art and architecture are being transformed in the age of Google. Under the dual pressures of digital technology, which allows images to be reformatted and disseminated effortlessly, and the exponential acceleration of cultural exchange enabled by globalization, artists and architects are emphasizing networks as never before. Some of the most interesting contemporary work in both fields is now based on visualizing patterns of dissemination after objects and structures are produced, and after they enter into, and even establish, diverse networks. Behaving like human search engines, artists and architects sort, capture, and reformat existing content. Works of art crystallize out of populations of images, and buildings emerge out of the dynamics of the circulation patterns they will house.

Examining the work of architectural firms such as OMA, Reiser + Umemoto, and Foreign Office, as well as the art of Matthew Barney, Ai Weiwei, Sherrie Levine, and many others, After Art provides a compelling and original theory of art and architecture in the age of global networks.


Don't Shrink Me to the Size of a Bullet:
The Works of Hiwa K
Koenig Books

Covering over a decade of projects, this book provides the first comprehensive account of Hiwa K's practice to date.

A series of texts included have been prepared and revised by the artist, and he has also included a collection of anecdotes that recount gossip, stories, jokes, personal insights, conundrums, and aphorisms garnered from multiple sources. These have all been translated into Kurdish for the first time.

The volume is fully illustrated and contains extended notes on the works. In the spirit of the artist's work, this volume introduces a new audience to his projects and offers additional insights for those who already know it.


Hi, what are you doing? J' ...chillin' ...
Rona Yefman
Sommer Contemporary Art


Magali Reus: Spring for a Ground / Particle Of Inch / Halted Paves / Quarters
Mousse Publishing, Milan

In the spring of 2015, Magali Reus (born 1981 in the Hague, the Netherlands; based in London) opened the first in a series of four exhibitions of new work co-commissioned and presented by SculptureCenter, New York; Hepworth Wakefield, England; Westfälischer Kunstverein, Münster, Germany; and Fondazione Sandretto Re Rebaudengo, Turin, Italy. The culmination of these collaborative projects is documented in this publication, marking an important chapter in the evolution of Reus' work.


Nicholas Mangan: Limits to Growth
Sternberg Press

This publication accompanies Australian multidisciplinary artist Nicholas Mangan's survey exhibition"Limits to Growth." The exhibition and book bring together four of Mangan's most significant works of the past seven years, alongside a new commission. The works in the show tackle narratives from his own geographical region - Asia Pacific, in which his home country of Australia plays a colonial role - and weaves them into a bigger picture to take into account the global economy, resource extraction, and the ultimate power of the sun. Featuring an in-depth series of conversations between the artist and the Barcelona-based curatorial collective Latitudes, and essays by Ana Teixeira Pinto and Helen Hughes, this publication is richly illustrated with documentation of Mangan's artworks and historical source material.


Sanford Biggers: Sweet Funk - An Introspective
Brooklyn Museum

New York-based artist Sanford Biggers challenges and reinterprets symbols and legacies that inform contemporary America. This exhibition, a focused selection of thirteen pieces, is Biggers' first museum presentation in New York. It also marks the Brooklyn debut of Blossom (2007), a large-scale multimedia installation that incorporates references ranging from lynchings to Buddha's enlightenment under the bodhi tree. The book features illuminating essays by Eugenie Tsai, John and Barbara Vogelstein Curator of Contemporary Art at the Brooklyn Museum, and the noted critic Gregory Volk.


[inaudible]: A Politics of Listening in 4 Acts
Lawrence Abu Hamdan
Sternberg Press

A "politics of listening" is an intervention into and a reorganization of forms that listening takes rather than a call for free speech or for a platform for voices to be heard. Listening is a political act, a pedagogical process, and an activity that can lead to the development of an organized protocol for engagement.

In his art and research, Beirut-based artist Lawrence Abu Hamdan explores the perception of language, sound, and listening. National identity, human rights, and the administration of justice are recurrent themes in his work. The techniques used in his audio-aesthetic practice have been used to conduct forensic audio analysis for several legal investigations. This monograph includes a series of transcripts of live speech from sermons, monologues, testimonies, and interviews made over the course of the last five years.


Novel ~ Issue Two

Issue Two contributors include:
Karolin Meunier, Cyprien Gaillard, Mark Leckey, Barry MacGregor, Johnston and Stephen G. Rhodes, Emily Wardill, Paul Chan, Anna Barham, Melanie Gilligan, Nathan Hylden, Karl Holmqvist, Nicholas Byrne, Ryan Gander, Simon Denny, Michaela Eichwald, Oscar Tuazon, Henri Chopin, Ed Atkins, Christoph Buchel

Novel draws together artists writing, texts and poetry that oscillate between modes of fiction and criticism. A cacophony of voices, that is the primary condition of writing, seek to break the habitual methods of representation and productions of subjectivity. Disconnected from any unitary theme these texts coalesce around writing as a core material of a number of artists exploring language and fiction. This fiction acts as a speculative force, no longer defined by what is said, even less by what makes it a signifying thing, but perhaps as a mode that exists parallel to the visual. Here, art writing is an apparatus for knowledge capture, informed by theory, film, politics and storytelling; writing as parallel practice, different, tangential; writing as political fiction; writing as another adventure on the 'skin drive', renegotiating unfulfilled beginnings or incomplete projects - that might offer points of departure. Amidst the insinuated narratives and materialised visions there is a concern for writing and the impossibility of fiction which is at stake. Novel asks us to think of writing as something distinct from information, as at least one realm of cultural production that is exempt from the encompassing obligation to communicate.


Lara Schnitger: It Ain't Gonna Lick Itself
Anton Kern Gallery (2005)

This publication accompanies the Lara Schnitger exhibition held at Anton Kern Gallery, New York, Sep 8-Oct 9, 2005. In conjunction with the installation Blacks on Blondes held at Triple Candie, New York, Sep 11-Oct 9, 2005. Foreward by Lisa Mark.


Charta (2006)

For the past 10 years, John Lovett and Alessandro Codagnone have been working collaboratively as Lovett/Codagnone. Their performance work and video installations explore power relations, both as manifested in explicit cultural signifiers like S/M and in clandestine or unconscious practices. Previous photography-based collaborations displaced gay subcultural signifiers into suburban environments or urban public spaces. In more recent works, the audience is confronted with an appropriation of theatrical fallout, scripted communication that makes up patterns of interaction and dysfunction within family structures. The complexity of human dynamics is explored and re-delivered, often through the distilling of a pose that demands intensity and endurance. Lovett/Codagnone™strenuous performances convey uncomfortable and complex relationships in which the only constant is ever-shifting power roles.


Mike's World
Blanton Museum of Art (2007)

Mike's World takes a tightly focused view of a single Michael Smith performance persona, "Mike," as it has developed over the course of many years and through innumerable presentation formats. The character Mike functions metaphorically as a kind of ever-hopeful Candide, adrift in a world of rapid technological advances that he seems incapable of fully comprehending, and stymied by the depersonalization and isolation that have accompanied late twentieth-century life. Ironic in its sharp personification of failure, but also hilarious and poignant, Smith's work mirrors our most human concerns about competency and comfort. Underscoring the hybrid nature of Smith's art, the works reproduced in this colorful paperback book also highlight his last decade of video and installation collaborations with artist-director Joshua White. With contributions by Michael Smith, Jay Sanders, Mike Kelley, Ingrid Schaffner and Regine Basha.


Alice Aycock, Sculpture and Projects
The MIT Press (2005)

"In Alice Aycock: Sculpture and Projects, Robert Hobbs examines the development of Aycock's work over twenty years and her negotiation-along with other artists who came of age in the early 1970s-of the transition from modernism to postmodernism."


Tom Burr: Extrospective, Works 1994-2006
JRP | Ringier (2006)

Edited by Florence Derieux. Texts by Stuart Comer, George Baker, Cerith Wyn Evans.

"Tom Burr (born in 1963, in New Haven, Connecticut) is an American artist whose work--photographs, drawings, sculptures and installations--revisits the formal vocabulary of the avant-gardes of the 1960s, in particular Minimalism and post-Minimalism, and mixes together pop iconography, homosexual culture, underground aesthetics, musical, cinematographic and literary influences and contemporary architecture and design."


Christian Tomaszewski
On Chapels, Caves and Erotic Misery
Kerber Verlag (2007)

"Christian Tomaszewski creates imaginary rooms in which mysterious events might happen. These rooms speak of unfulfilled dreams, wishes and longings. The project On Chapels Caves and Erotic Misery began in 2004 in the Luxe Gallery in Łódź and the Kunstsammlungen Chemnitz and there are to be new versions for the Kunstforum Ostdeutsche Galerie Regensburg and finally for SculptureCenter in New York City 2007."