Past Exhibitions

September 7 - November 30, 2008

Degrees of Remove: Landscape and Affect

Rosa Barba, Luis Buñuel, Camel Collective, eteam, Cyprien Gaillard, Anthony Hamboussi, Tim Hyde, Marie Jager, Gianni Motti, Aura Rosenberg, Oscar Tuazon

eteam, Second Life Dumpster, 2008.

 

Opening for Fall Shows
Sunday, September 7, 2008, 4:00 PM - 6:00 PM

 

Degrees of Remove: Film Series
Allegories of the City

Sunday, November 9, 2008, 5:30 PM

Joseph Cornell and Rudy Burckhardt, Ken Jacobs, Joan Jonas, Peter Hutton, Helen Levitt, James Nares

This program looks at artist films from the 1940s-1970s, and considers how our view of the New York landscape might be changing. Followed by a conversation with Peter Hutton and Ken Jacobs.

at Anthology Film Archives, 32 Second Avenue, New York, NY 10003 (at 2nd Street).

Tickets: $8 general, $6 students/seniors, $5 members.

 

Degrees of Remove: Film Series
Landscape and Narrative

Monday, November 17, 2008, 7:30 PM

Rosa Barba, Luis Buñuel, Dominique Gonzalez-Foerster, Amy Granat and Ann Craven, Gianni Motti

Showcasing various forms of narrative, from a totally constructed fiction to an arguably non-linguistic approach, this selection explores the underlying ways we perceive and articulate the representation of space.

at Anthology Film Archives, 32 Second Avenue, New York, NY 10003 (at 2nd Street).

Tickets: $8 general, $6 students/seniors, $5 members.

 

Degrees of Remove: Film Series
Special Focus on Michael Snow
Reverberlin, 2006

Sunday, November 23, 2008, 8:30 PM

New York premiere. Using concert footage of CCMC, the free improvisational ensemble Snow co-founded in 1974, Snow digitally weaves together images and sounds from performances that have taken place across the globe.

at Anthology Film Archives, 32 Second Avenue, New York, NY 10003 (at 2nd Street).

Tickets: $8 general, $6 students/seniors, $5 members.

 

Degrees of Remove: Film Series
Special Focus on Michael Snow
La Région Centrale, 1971

Monday, November 24, 7:30 PM and
Tuesday, November 25, 7:30 PM

Made over the course of five days on a deserted mountaintop in North Quebec, the vertical and horizontal alignment as well as the tracking speed of Snow's equipment was all determined by the camera's settings. Anchored to a tripod, the camera turned a complete 360 degrees, craned itself skyward, and circled in all directions. Because of the unconventional camera movement, the result was more than merely a document of the film location's landscape, as its themes became the cosmic relationships of space and time.

at Anthology Film Archives, 32 Second Avenue, New York, NY 10003 (at 2nd Street).

Tickets: $8 general, $6 students/seniors, $5 members.